The deadline for the receipt of applications is September 15 of each year. Eligible for the grant are book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. BACKGROUNDįor the Wyeth Foundation for American Art Publication Grant, “American art” is defined as art created in the United States, Canada, and Mexico. Read a list of all recipients of the Wyeth Foundation for American Art Publication Grant from 2005 to the present. Jacqueline Taylor, Amaza Lee Meredith Imagines Herself Modern: Architecture and the Black American Middle Class, The MIT Press.Elizabeth Hamilton, Charting the Afrofuturist Imaginary in African American Art: The Black Female Fantastic, Taylor & Francis.Sarah Cowan, Howardena Pindell: Reclaiming Abstraction, Yale University Press.Emilie Boone, A Nimble Arc: James Van Der Zee and Photography, Duke University Press.Since 2005, the Wyeth Foundation for American Art has supported the publication of books on American art through the Wyeth Foundation for American Art Publication Grant, administered by CAA. (190.5 X 160 cm) (artwork © Howardena Pindell photograph provided by Garth Freenan Gallery, New York) MEET THE GRANTEES Howardena Pindell, Night Flight, 2015-16, mixed media on canvas, 75 X 63 in. We are grateful for Fineberg’s donation, and for his fifty-plus-year membership in CAA. A valuable pedagogical resource at many universities, this text is out of print, which presents a problem for many art history professors and students who cannot obtain copies.
Fineberg is offering this publication at no-cost access to both members and non-members for three years. I hope it inspires students to love contemporary art as I do and to bring them to join their fellow travelers in the CAA.”ĬAA is immensely grateful for Fineberg’s generous donation to CAA, a digital version of his seminal work, Art Since 1940: Strategies of Being, 3rd Edition.
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In order to give back this year I decided that I have made my fair share of royalties on my survey book Art Since 1940: Strategies of Being, so I took back the rights from the publisher and have given a high-resolution copy of the last edition to CAA for free download by any students and teachers who want it. I love CAA for the many things it does for artists and art historians. I’ve served on the board, I started the “artist interviews” many years ago, I’ve chaired and participated in many sessions and committees over more than fifty years, and until COVID hit I think I only missed one annual conference – my personal protest against the racism and anti LGBTQ+ stance of the state of Louisiana (that was the year we went to New Orleans).
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CAA was (is), he pointed out, my professional association! I signed up right away (in 1966) and have remained an active member ever since. “Seymour Slive, one of my favorite art history professors in college told me I should join the College Art Association if I wanted to be an art historian. As a long-time member of CAA, Fineberg describes his experience with the organization:
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Code of Best Practices in Fair Use In the Visual Arts.
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